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  • These days, Watson takes fashion more seriously. “Getting ready for an event can feel like a lot of pressure,” she says. “You have to consider, ‘Will people see up my skirt? If a flash goes off, can you see through this?’ So I’ll do a test sitting, a test standing... It’s nerve-wracking. People really scrutinize.” Off duty, she is all about comfort: “On the red carpet, I’m usually in so much discomfort – my shoes are uncomfortable, I can’t breathe in the dress. I don’t compromise like that in my everyday style.”


    When I ask what she’s wearing today, Watson puts her head down in mock shame and laughs. “I was worried you were going to do this!” She checks for tags on her clothes, but can’t find any. “A lot of my clothes have been altered, so the tags are out,” she says. “But I can tell you that I have Chloé flats on!’

    One thing is clear, if not knowing what label she is wearing is her only idea of a misstep, Emma Watson is in excellent shape.

    “We all have a responsibility for the future – to move away from throw-away fashion towards a more timeless way of living. Ethics and aesthetics go hand in hand and the GCC spearheads this movement, so it’s great to be a part of it”

    ROLAND MOURET

    Dress by Roland Mouret

    credits

    Art direction: Jon Wetherell. Hair: Rolando Beauchamp at The Wall Group. Makeup: Brigitte Reiss-Andersen at The Wall Group. Nails: Alicia Torello at The Wall Group. Set design: Ian Salter. Fashion assistant: Alexa Valenstein. Tailoring: Brian Frank at Lars Nord

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