The Fashion Memo

Introducing The NET-A-PORTER Vanguard Of 2026: Three Female-Led Brands You Need To Know

Heirlome, Kallmeyer and Colleen Allen are the latest brands to join NET-A-PORTER’s global mentorship program, which helps to support and empower emerging design talent. Here, GILLIAN BRETT and COLLEEN ROSS speak to the incredible women behind the brands about their creative vision and what being selected for The Vanguard means for the future of their businesses

Photography Trisha Ward
Fashion
Colleen Allen

Colleen Allen

“I’m really grateful and excited for this opportunity. I think it’s a rare thing that’s offered in the industry,” says Colleen Allen on being one of The NET-A-PORTER Vanguard recipients. Within just two years, Chicago-born Allen’s eponymous brand has become one of the buzziest on the New York Fashion Week schedule and has already received industry recognition with nominations at the CFDA Fashion Awards and the LVMH Prize.

For Allen, navigating the day-to-day operational and financial realities of running an independent business while also maintaining a strong creative identity can be challenging at times – but it’s one she has relished. “It comes with taking on a lot of responsibilities and wearing a lot of hats…but that never scared me. To be able to build the entire world around [the brand] is so satisfying.”

A graduate of Parsons School of Design and Central Saint Martins, Allen initially trained as a menswear designer before making the switch to womenswear. Her mystical designs are guided by a spiritual exploration of femininity through the archetype of the witch and the many facets of womanhood within. She’s also interested in the ritual of getting dressed and has a fascination with historical clothing, particularly silhouettes from the Victorian era that chime with her otherworldly esthetic.

I’m interested in reimagining the origins of a woman's wardrobe but in a way that removes any sort of restriction. I’m anti any sort of preciousness
Colleen Allen
Colleen Allen
Colleen Allen

Although Allen likes to study and deconstruct every single element of a garment, from the layers upon layers of underpinnings – think corsets, crinolines and delicate slips – to tailoring, she’s careful not to be too literal when translating these references in her own designs. “I’m interested in reimagining the origins of a woman's wardrobe but in a way that removes any sort of restriction. I’m anti any sort of preciousness. It’s about movement. It’s about things feeling lived in and having a sense of ease to them,” she says.

This approach extends to Allen’s intuitive use of color and fabric, too. Bright oranges and reds feature heavily, often rendered in rich, dimensional materials like velvet (her signature) that add depth and tactility to every look, from dramatic hook-and-eye coats to elegantly draped gowns. Washed-down cottons, silks, chiffons and lace, meanwhile, bring lightness and a softer, more romantic feel. From there, everything begins to take shape in a very organic way. “I really try to create a lot of space for intuition; I don't want to know what [a collection is] going to end up as from the beginning.”

Kallmeyer

Kallmeyer has been a cult favorite of stylish New Yorkers for over a decade, but its South African-born founder Daniella Kallmeyer has recently gained industry recognition, too. She was nominated for the CFDA Award for American Womenswear Designer of the Year in 2025, alongside the ionic American designers Tory Burch and Ralph Lauren. Her client list, meanwhile, includes actor Katie Holmes and poet Rupi Kaur.

As well as creating ultra-desirable pieces you’ll want to wear on repeat, Kallmeyer is equally focused on the commercial side of her brand, and it’s this aspect that she’s looking forward to developing under the guidance of NET-A-PORTER CEO Heather Kaminetsky and Toteme CEO Johanna Sjöberg. “I’m a creative and really inspired and motivated by the collections we design, but I’m also the business owner. And so, I’m excited to work with [my mentors] to zoom out during this incredible growth stage and to talk about executive-level opportunities for me to lean into as not only the founder, but the CEO of the business,” says Kallmeyer.

Kallmeyer
Daniella Kallmeyer has great instinct and a clear vision, which you can see running through every touchpoint of her brand. It’s more than just beautiful collections… I am so excited to see how the brand evolves
Heather Kaminetsky, CEO, NET-A-PORTER
Kallmeyer
Kallmeyer

On a recent trip to New York for fashion week, Kaminetsky and Kallmeyer had their first session over coffee. “Daniella has great instinct and a clear vision, which you can see running through every touchpoint of her brand. It’s more than just beautiful collections… I am so excited to see how Kallmeyer evolves,” says Kaminetsky. She also stresses why it’s important to give emerging designs a platform: “I believe we have a responsibility to champion the next generation of designers and it’s something we feel passionately about here at NET-A-PORTER. We not only owe it to the designers, but to the industry, to support [them] during the most challenging years of building a brand, and to nurture the future superstars of fashion.”

“We have a responsibility to support the long-term future of our industry,” agrees Sjöberg. “Emerging designers bring strong points of view, but turning vision into a brand requires more than creativity. It needs infrastructure and strategy behind it. By sharing what we’ve learned, we can help founders build businesses that are resilient and made to last.”

Heirlome

Heirlome

“Heirlome was founded on the idea of collaborating and supporting artisans in Mexico and Latin America, and to help them create through a different medium,” says Stephanie Suberville, who co-founded the family-run, purpose-driven ready-to-wear brand with her husband, Jeffrey Axford, in 2022. “Most of the artisans are fifth or more generations, carrying on the family business and passing it down to their children. That’s how we came up with the name of the brand: ‘heir’ and ‘lome’ (meaning tool). [It reflects] the idea of not only passing down a family relic, but also that skills and crafts are heirlooms.” Take the striking floral artwork on the ‘Rivera’ top a prime example, which was created in collaboration with Mexican artisan Bernardina Rivera and her daughter Roselia. “Their work was sent to our artisans in Bolivia, who hand-knitted the floral shapes in cashmere to create this style,” explains Suberville.

Heirlome’s core designs are based on timeless, tailored silhouettes that Suberville creates very intuitively – “all styles are draped by me” – such as the sculptural ‘Lupita’ halterneck top (pictured here). It’s made from silk and wool with a horsehair lining to create the exaggerated hourglass shape.

Both of my mentors have their own experiences working with artisans, supporting communities and in the sustainability space. I’m looking forward to learning about their practices
Stephanie Suberville, co-founder of Heirlome
Heirlome
Heirlome

Subverville is excited to use the spotlight of The NET-A-PORTER Vanguard to tell her brand story while also accessing support and guidance from her mentors: designer Gabriela Hearst and climate activist and content creator Aditi Mayer. “Both of my mentors have their own experiences working with artisans, supporting communities and in the sustainability space. I’m looking forward to learning about their practices and bouncing ideas [off them] for what we can do to improve ours,” she says.

“I’ve never met a young designer who wasn’t concerned about sustainability – and they are the future,” says Hearst. “Fostering these values, which have become best practices in their generation, is very important to me.” Mayer echoes this sentiment, and praises Heirlome’s commitment to recontextualizing craftmanship today. “Craft is not nostalgia; it’s design intelligence accumulated over generations,” she says. “When emerging designers engage with that lineage thoughtfully, they aren’t looking backward – they’re building depth into their work… Heirlome stands out for the integrity of their approach: they collaborate with Mexican and Latin American artisans in a way that feels rooted in dialogue rather than decoration.”