BlacKkKlansman and Hollywood star Laura Harrier and stylist Danielle Goldberg met seven years ago, when the former was modeling and the latter was a stylist working with the Olsens. The two bonded over shared aspirations of a career change, neither realizing how their paths would cross again when, fortuitously, Goldberg was put forward to style Harrier for her first press tour following her breakthrough role in Spider-Man: Homecoming in 2017.
Fast-forward to now, and the dynamic duo has traveled the globe together countless times for red-carpet events, fashion shows and glamorous shoots – a world away from the basement they first met in many moons ago.
As close friends and collaborators, Goldberg’s role as Harrier’s stylist is made even easier by a shared vision and esthetic, plus a mutual desire to strike the perfect balance between work and play. The pair share a fondness of late-night dance parties and champagne, as well as an ability to still make it to work promptly the next day.
Soon to be reunited again when Goldberg moves from NYC to LA in the New Year, in episode three of our podcast they discuss the importance of physical human interaction, missing creativity and the joy it brings, and how they’ve stayed motivated and optimistic, despite the challenges of 2020.
Read highlights from the podcast below…
On the first time they met on a shoot seven years ago
Laura: “I feel like we were just kind of bratty because we both didn’t want to be there, to be totally honest.”
Danielle: “What do they say: misery loves company?”
Laura: “Yeah, it was a little ‘misery loves company’ bonding moment. We kind of became friends because of our shared misery. I remember telling you I was doing acting classes. And you were telling me how you wanted to style actresses. I remember so well, sitting in this fluorescently lit basement, and being like, ‘One day I'll be an actress, then you can be my stylist.’”
On working together
Laura: “It always seems so effortless because we have such similar esthetics. We think the same things are cool. We never try on a million looks… we’re always kind of on the same page of what we want, and you’ll bring a couple of outfits and then, usually, once I try something on that I like, that’s it.”
Danielle: “We’re just like, let’s go drink… There’s never more than a rack for anything. I mean, if she has a red-carpet event, there’s maybe three gowns. I think the whole purpose of styling is editing. So why would I present Laura with a store of clothing? I want to show her what’s the best for her. And I think that’s one of the things that you understood really early on and I think it made your eye for what works for you even that much stronger… You always knew what you liked, but now you move even faster.”
Laura: “And you know how much I hate trying on clothes.”
Danielle: “Try to get Laura in something that has a tight neck. I wish everyone the best of luck. She will murder you.”
On creativity and feeling connected
Danielle: “I feel like it’s an important lesson for everybody to learn, because I think so much of our communication is done through these 2D dimensions, when really I just want to hug my friends. I remember when you came to New York in June for a job. She got here, we hadn’t seen each other in almost a year, and we didn’t know what to do. And then we were like, forget it, we’re hugging. I’m not gonna not hug. We all have different rules in our minds of what is safe, and I respect that for everyone, but I think it’s so important for the human body to connect physically with the people that you love. A hug is so important. I want to just have more of that in 2021; I want to be more connected; I want to be more collaborative. I miss collaborating so much. Even doing things like, you know, shoots via FaceTime and things like that, those are the things that kept me going through quarantine and being able to like, feel like you’re using your creative muscles.”
Laura: “I feel like it’s so hard to feel inspired and creative when your day to day is exactly the same. You know, when you’re not having new experiences, you’re not meeting new people, not going to new places.”
Whether debating the best shoes for dancing in or trading details of a recently discovered hole-in-the-wall noodle joint, the friendship between Sandra Choi, creative director of Jimmy Choo, and Mimi Xu, the musician and DJ, is rooted in mutual support – and fun.
The pair originally met over a long, languorous lunch in Ibiza – and while their relationship might have been forged in the fabulous world of fashion, the moments of connection, curiosity and humor that they share extend far beyond the heady world of weekend gigs in Tokyo and red carpets bathed in the flashbulb’s seductive glare.
Choi, who has been sole creative director of Jimmy Choo since 2013, admits she’s a little “green-eyed” about Xu’s nomadic musician lifestyle; while for Xu, her friend personifies the dauntingly high-achieving “dragon mother” archetype she feels she can never be herself. But as 2020 has thrown the fashion and creative communities many new challenges, they have both been thinking differently about their life and work…
As for the holiday season this year? Both have been able to experience many Christmas traditions from around the world. Choi spent her childhood living in Hong Kong but now enjoys looking for Father Christmas with her children in Lapland. While, for Xu, childhood memories of month-long celebrations in Copenhagen contrast with the dreamy escapism of grown-up Christmases in Ibiza.
Read highlights from the podcast below…
On true friendships in fashion
Sandra: “Do you remember the time that Jimmy Choo had an event and I needed a friend and I called you, but for whatever reason it couldn’t happen? And then, when I arrived, you were like, ‘Ta-da!’ You showed up. I was so grateful… That’s true friendship; you can count on it and you can actually be honest. To me, that’s very important.”
Mimi: “We are always desperate to find interesting people we can actually talk to! You know, these parties where it’s all taking photos in multiple poses and you have nothing to say to people… When you have a friend who you can actually have a good chat with, you are so excited about meeting up with them!”
On their multicultural upbringings
Mimi: “I grew up in Paris. My father is an acoustic architect – he builds opera houses and museums… anything related to sound and architecture. Then we went to Copenhagen, so I was the only non-blonde kid in my school. I’m always used to being the odd person in the room, and I kind of made it work for me. Norm is a bit boring for me!”
Sandra: “I was born on the Isle of Wight, but at the age of eight months, I was sent back to Hong Kong to live with my grandparents… And then I came back when I was 13.
“I literally arrived at the doorstep with my hair half shaven because I was really into Japanese youth culture… My mom looked at me, like she didn’t really know how to receive me.”
On 2021 and beyond
Mimi: “I want to finish all the music projects I’ve been working on during the past three months. I want to spend more time on music that is related to wellbeing; I think sound can really affect our mental health and our physical health at the same time. So I’d like to explore that side of things a bit more.”
Sandra: “I need to start looking after myself as well… I’m thinking about wellbeing – just to kind of get out of the four walls and be more inspired and look beyond the obvious. I want to make better decisions. I want to influence the rest of the team to make better decisions and steer my universe that way.”
Close friends and creative collaborators Carey Mulligan and Emerald Fennell bring their stellar talents to one of the most audacious and surprising movie releases of the year, Promising Young Woman. Fennell’s feature debut in the writer/director’s chair is a pitch-dark revenge thriller about consent and contemporary rape culture, laced with a seemingly sugary rom-com and a slightly queasy-making candy-hued aesthetic. The film boasts a mesmerizing lead performance from Mulligan as rage-filled Cassie: “I don’t think I felt at risk in terms of telling this story at all. You know, women have been talking about this stuff for millennia. There’s nothing new here,” says Mulligan, who’s barely recognizable in some of Cassie’s more out-there hair and makeup looks, from Kardashian-esque high ponytails to full-on contoured face paint.
Those familiar with Fennell’s oeuvre (she was head writer and showrunner for the second season of Killing Eve) will not be surprised to discover that Promising Young Woman is a tale told through a dark – but distinctly comic – lens. And humor flows back and forth between the director and her muse as they catch up for our podcast – Fennell from her study in west London; Mulligan from her husband Marcus Mumford’s recording studio in Devon.
Listen in to hear the pair talk about bonding over cake and an unfortunate pair of PVC pants, Mulligan’s erstwhile The Great Gatsby co-star Leonardo DiCaprio, and a shared passion for all things Christmassy.
Read highlights from the podcast below…
Emerald on their first meeting
“We had both been in an episode of (Lynda La Plante TV series) Trial and Retribution as teenagers, I think. Certainly, it was my first job. And I was playing – big shocker – a nightmarish posh girl. I have to say it was a real stretch!”
On rekindling their friendship
Carey: “We met up for tea and you were on your way to the Killing Eve wrap party, wearing a pair of extraordinary trousers…”
Emerald: “PVC! And they’d split at the crotch. I think the first thing I said to you was, ‘What happened to my crotch?’ And then I said, ‘Let’s just eat cake’, so we ate cake.”
Carey on Promising Young Woman
“I had no idea how I would do Cassie, but when you sent that playlist, and showed me the references, and I understood your sense of humor and your wit and your intelligence, I was like, ‘Oh, this is a no-brainer’. I wasn’t ever remotely nervous of how the film would turn out.”
Emerald on the unapologetic female pop soundtrack to Promising Young Woman
“There’s just something so wonderful about those songs. There’s something thrilling about female pop artists in particular. There’s a moment in our film when you hear Toxic by Britney Spears. Certainly, the reaction at Sundance [Film Festival] was that all the women of our age suddenly sat up. It gives you this sort of primal response, somehow.”
On celebrating the holiday season this year
Carey: “It’s going to be ‘rule of six’-ish… It’s going to be little. But don’t get me wrong, I love Christmas.”
Emerald: “My whole family is Christmas-crazy. The stocking situation has gotten so out of hand now; [my sisters and I] have to do it secretly, away from our partners, because it’s too embarrassing to see. We get things for each other’s stockings all year round!”
Promising Young Woman is in cinemas December 25 (US), and March 5, 2021 (UK)
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