Art of Style

Wes Gordon: A Life In Color

Carolina Herrera’s creative director WES GORDON believes that in order to design beautiful clothes, one must begin by living life beautifully. Here, he speaks to CHLOE STREET about honoring his predecessor’s legacy, his passion for bold, unapologetic color and the pre-fall 2026 capsule he has designed exclusively for NET-A-PORTER

Fashion
Wes Gordon

“I just want to make desirable, gorgeous clothes that women want to wear and live their most beautiful lives in,” says Wes Gordon, dialing into a Zoom call from the Carolina Herrera head office in Manhattan, where he has been creative director since brand founder Herrera handed him the reins in 2018.

The goal might sound like an obvious one, but in an age of grunge, ’90s minimalism and the death-by-head-to-toe-beige of quiet luxury, Gordon has stuck unflinchingly to more classic codes of femininity – think full skirts, nipped-in waists and endless gorgeous gowns – regardless of whether they’re trending. Four decades on from Herrera’s first runway show in New York in 1981 and the Chicago-born, Atlanta-raised designer has successfully capitalized on a cultural return to the ‘ladies who lunch’ aesthetic while infusing the house with a fresh, vibrant energy.

“I adore our client,” says Gordon, who interned at Oscar de la Renta while completing his MA at Central Saint Martins in London. It was from the Dominican designer that he learned the importance of knowing your customer. “De la Renta was designing with a specific woman in mind. He knew who would buy the dress, how she would want the sleeve, what color she would like. And I think that’s such an important lesson… because, at the end of the day, what we’re creating must excite and delight and appeal to somebody out in the world.”

And, certainly, Gordon, who was a highly regarded but not particularly well-known independent designer when Herrera appointed him to run her esteemed fashion house (he folded his eponymous label when he took the role), has succeeded in delighting the elegant-but-bold society woman who’s long been the house client – while also attracting a roster of modern muses, from Meghan Markle to Demi Moore and Pamela Anderson. “I think he’s able to dance this line between what society women want, and need, to wear, and what is cool in fashion in a seemingly effortless way,” says Kate Young, celebrity stylist and friend of Gordon. “There is a precision to this vision; you can see his Carolina Herrera woman clearly – where she goes and what she wears.”

“I’m not here to build something that doesn’t already exist,” Gordon clarifies. “I’m here to redecorate a little bit.” This continuity was aided by a year-long handover in which Herrera introduced him to everyone in the business personally. In a country that doesn’t have a great legacy of brands outlasting their founders, Gordon was given space and time to focus on evolution, not revolution: “I came to Herrera because I love Herrera,” he says. “I love the history of the house. I love the DNA of the house. I love Mrs. Herrera. I came in as a fan.”

  • CAROLINA HERRERA
    Polka-dot cotton-blend twill midi dress
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  • CAROLINA HERRERA
    Gold-tone flower necklace
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    Wrap cotton-blend shirt
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    Polka-dot cotton-blend twill midi skirt
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Carolina Herrera’s exclusive polka-dot capsule for NET-A-PORTER

One such woman is Karlie Kloss, a longtime friend and the face of Good Girl, the flagship Carolina Herrera fragrance franchise (which recently surpassed Chanel’s Chance as the world’s best-selling women’s perfume), whom Gordon dressed in a striking red rose-inspired dress for the 2021 Met Gala. “There’s a confidence and sense of individuality in everything he creates; you feel elegant wearing his designs but never overshadowed by them,” Kloss tells PORTER. “That balance is so rare, and I think it’s a huge part of why his work resonates so deeply with women.”

Long before he had heard of Carolina Herrera, Wes Gordon was obsessed with fashion. As soon as he could hold a pencil, he was sketching clothes, playing with dolls and telling his mother what she had to wear to work. “I would go into her closet and pick out her outfits when I was maybe three or four. I always knew I loved it, before I knew it was even a career or an option.” Fashion mentors were not easy to come by in Atlanta, but, as a teenager, he found a dressmaker to teach him pattern-making and sewing. Meanwhile, Gordon would “devour” books about designers he idolized, in which Central Saint Martins was repeatedly mentioned – “and so, sight unseen, I knew that that’s where I had to go to school.”

A master of color, Gordon begins every collection by defining the perfect palette. From rich fuchsias to vivid reds and forest greens, his bold, saturated hues feel dynamic and unabashedly celebratory. “I always say, if you just want to blend in and stand against the wall at the party, we’re probably not the right brand for you,” he smiles. Instead, he designs for a woman who is both confident and sophisticated, “one who is unafraid to wear head-to-toe orange when everyone else is wearing oatmeal.”

  • CAROLINA HERRERA
    Halted-neck polka-dot cotton-blend twill midi dress
    $2,290.00
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  • CAROLINA HERRERA
    Tie-detailed ruffled tiered floral-print silk-chiffon midi dress
    $3,490.00
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  • CAROLINA HERRERA
    Embroidered striped cotton-poplin shirt
    $1,390.00
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    Alba cotton-blend wide-leg pants
    $1,290.00
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Elegant and poised, but full of wit and whimsy, Gordon’s designs, says the model and activist, reflect who he truly is as a person. “Wes brings so much warmth, humor and generosity into everything he does – and that spirit is felt not only in the clothes, but also in the experience of knowing him,” says Kloss, who, struggling with her train once inside the Met event, soon found Gordon on his knees with a pair of scissors he had procured off a waiter, carefully cutting it off. “I feel very fortunate to get to work with him – and even more so, to call him a dear friend.”

The world has felt a little heavy and gray of late. Is Gordon on a mission, I wonder, to inject some color into people’s lives? “Absolutely. I think a huge part of our success lately has been down to women just wanting to embrace beautiful things – pretty, happy, colorful, optimistic clothes. There’s so much in the world that is beyond our ability to fix,” he continues. “But how we dress and how we put ourselves out into the world are things we can control.”

In his job interview with Herrera in 2017, they bonded over this shared belief that the way you choose to live your life informs who you are as a designer, discussing their favorite restaurants, music and artists as much as they did business plans. “So much of who you are is about how you live,” he says. “From the book you’re reading to how you decorate your house to your favorite films – these are all a part of the creative language that forms our souls and our work.”

Three women who also lived by this mantra – the famous gardeners Bunny Mellon, Miranda Brooks and Grace Fuller – inspired the brand’s pre-fall 2026 collection. Horticultural references run throughout: gorgeous prints echoing 19th-century hand-painted hydrangeas, draped gowns with structural rosettes and plenty of chiffon, organza and lace. While the odd canvas jacket and floral-embroidered pair of pants might nod to a day weeding roses, these are unmistakably clothes for a woman who knows her Choos from her Caovillas and probably gets a regular blow-dry. “Our Carolina Herrera customers are largely busy, social women who resonate with a traditional, feminine way of dressing that centers around sophistication and sexiness – something we can always bet on with the Carolina collections,” says NET-A-PORTER buying manager Rachel Nimmo.

As part of the pre-fall drop, Carolina Herrera has launched an exclusive polka-dot capsule on NET-A-PORTER this month, which feels perfect for summer event dressing. “The polka dot is one of our most iconic brand codes, so we thought that was a great way to celebrate all things Herrera,” says Gordon, who plans to celebrate the 45th anniversary of the house with a runway show “and a big party” in New York in September.

The event is sure to see familiar A-list friends of the brand on the front row – as well as his husband, glassware company owner Paul Arnhold, and their son and daughter (five and three). For Gordon, having children has changed his approach to life, and therefore to the way he designs. “My priorities have completely shifted,” he smiles. “It has brought limitless joy and I laugh more than ever.” He is, he says, obsessed with being a dad. “And I believe that shows in my work. If you’re a happy person, you make happy clothes – and I’ve never been happier.”

  • CAROLINA HERRERA
    Belted halter-neck polka-dot cotton-blend twill midi dress
    $2,690.00
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  • CAROLINA HERRERA
    Gold-tone crystal earrings
    $390.00
  • CAROLINA HERRERA
    Floral-print linen and silk-blend gown
    $5,890.00
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  • CAROLINA HERRERA
    Floral-appliquéd cotton-blend halterneck top
    $1,390.00
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Dress, Carolina Herrera