Interiors

New Romantic: The Interiors Trend Bringing Whimsy Back To Our Homes

Celebrating warm color palettes, theatrical swathes of drapery, intricate patterns and luxuriant textures, the ‘new romantic’ interiors trend reimagines the drama and beauty of19th-century romanticism for 2026. By NATASHA BIRD

Lifestyle
At Forter Castle, Katharine Pooley celebrates its historic character with draped four-poster beds and tapestries

“For too long, femininity in design was something to be apologized for,” says Maddy Bull, senior interior designer at luxury property firm HollandGreen. “Softened down, neutralized, made more ‘acceptable’.”

It hasn’t always been that way, though. The original Romanticism movement of the 1800s submerged design in raw emotion, pulling from extravagant pre-Raphaelite paintings to create dreamlike, moody atmospheres, ornate botanical backdrops and fittings in rich jewel tones such as ruby and amber. A celebration of love, warmth, nature and beauty – to contrast with the cold churn of the Industrial Revolution.

At its most fantastical, design drew from the 18th-century French court – imagine Marie Antoinette’s gilded frames, silk ribbons and a plethora of pastels. It was a story of whimsy, fancy and delight, even if relatively impractical.

For 2026, we are not seeing a return to bows and chintz quite the way Anoinette might have enjoyed, but there is a prettiness seeping back into our design stories; a freshly modern take on traditional Romanticism. Think warm tones, curtains draped and generously gathered, scalloped fabric lampshades, beds crowned with canopies, chairs skirted and walls wrapped in fabric – or delicately adorned with painted vines or other homages to the nature outside.

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    Anesio linen cushion
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  • JIA JIA HOME
    Onyx rectangular tray
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  • THE ELDER STATESMAN
    Textured cashmere throw
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  • TRUDON
    Gabriel scented candle, 2.8kg
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Patterned window treatments, pleated lampshades and beautifully skirted tables bring that feeling of romance and refinement without feeling overly formal
Katharine Pooley, interior designer
Soft textures, tassels, trim and drapery create a cocooning sense of intimacy at Rosewood Manor, one of HollandGreen’s projects

Designer Katharine Pooley sees the new mood as “soft, opulent”, built from “gentle color palettes, delicate patterns, beautiful textures and, importantly, decorative trims and details”. On her mood board is American designer Mark D. Sikes, whose interiors frequently juxtapose florals with stripes, checks and classical furniture. “Patterned window treatments, pleated lampshades and beautifully skirted tables bring that feeling of romance and refinement without feeling overly formal,” she says.

Pooley points to The Newt in Somerset as an excellent reference for the trend: a gorgeous spa hotel set on a 2,000-acre estate in the UK, centering on remodeled 17th-century Hadspen House. Here, Georgian architecture mingles with contemporary hospitality, leaning into exuberant Rococo elements and an abundance of lyrical, romantic paintings, while also perfecting the clean lines and modern conveniences of luxurious lodgings.

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    Mohair-velvet wood pouf
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    Egg aventurine paperweight
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  • TEKLA
    Striped wool blanket
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  • ASTIER DE VILLATTE
    Médicis small porcelain vase
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A soft palette

The Romanticism revival isn’t just maximalism by another name. Where maximalism often celebrates visual accumulation – with lots of bold, bright colors and clashing prints and textures – this modern Romanticism is softer and more tonal. It is designed to feel tactile and cosseting – creating spaces that you can sink into like an enveloping hug. “In the drawing room of my Oxfordshire coach house, I introduced soft pinks on the walls, heavily tasseled leading edges in pinks and blues, and pastel striped fabrics on the sofas,” says Pooley. “It completely changed the feeling of the room and, for me, proved that feminine interiors can still feel elegant and grown-up.”

For Bull, that willingness to embrace traditionally feminine color is part of a wider loosening-up in interiors. “We’ve all experienced enormous upheaval in recent years,” she says, “and I believe our homes are responding to that. After years of pared-back, cool minimalism dominating design, people are coming home – quite literally – to spaces that feel genuinely nurturing and personal.” Rosewood Manor, one of HollandGreen’s recent projects, speaks perfectly to this mood, with bed linens in soft terracotta linens, pillowcases in subtle tonal florals, warm dusty-pink fabrics and elegant botanical wallpapers.

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Pooley used soft pinks to create a romantic mood in this Oxfordshire project
After years of pared-back, cool minimalism dominating design, people are coming home – quite literally – to spaces that feel genuinely nurturing and personal
Maddy Bull, interior designer
Nature-inspired patterns and prints help evoke the Romantic mood, as seen in Pooley’s Coach House project

The fabric of romance

Fabric is the linchpin of the romantic trend revival, with designers using soft-touch finishes, tassels, trim and drapery to create a feeling of cradling closeness.

At Forter Castle, one of Pooley’s professional projects, she called on the power of drapery to “transform a room in so many ways beyond the traditional curtain,” she explains. “I use it throughout my own homes – from the four-poster beds in my master suites and the cozy tented ceiling in my shepherd’s hut to the British wool-lined walls at Forter Castle. These details soften architecture and create a feeling of intimacy that is very difficult to achieve with paint and furniture alone.”

There is plenty of historical precedent. Drapery has long been used to make grand rooms feel more intimate, from the upholstered walls and elaborate bed hangings of European country houses to the exuberant textile layering of Victorian spaces. The 2026 iteration is less outwardly ceremonious. A House of Lyria floral wool throw astride a Six The Residence fringed velvet pouffe; or a floral Ginori 1735 porcelain potiche next to a La DoubleJ satin-jacquard cushion: the interplay between decoration and informality is what stops the look becoming pastiche.

The theatrical possibilities of fabric are fun, too. Garden House by design firm De Rosee Sa is a more literal interpretation. In a bedroom designed for a young girl who loves staging puppet shows, senior interior designer Eliza Davey created a tasseled canopy that doubles as a miniature show curtain. A scalloped bulkhead frames the bed; blush and terracotta are offset by mustard and classic striped curtains, while a bobbin bedside table and raffia scallop lampshades emphasize the rejection of hard lines. “There is definitely something ‘new romantic’ about it: the drama, the softness and the willingness to be decorative,” says Davey.

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    Malghe fringed floral-jacquard wool-blend throw
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    Fringed velvet pouf
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  • LA DOUBLEJ
    Floral-printed fringed-trimmed cushion
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Letting the garden in

Nature was fundamental to the origins of Romanticism and, two centuries later, amid another period of technological acceleration, it is easy to understand the renewed appetite for interiors that emphatically bring the outdoors back inside.

The connection is explicit in Pooley’s Oxfordshire coach house. Flower-and-butterfly wallpaper turns the walls into an imagined garden, while a sculptural vase covered in three-dimensional butterflies brings the motif to life.

Nineteenth-century textile artist William Morris famously argued that decoration should draw from the forms of nature, filling his wallpapers and textiles with curling acanthus leaves, honeysuckle, birds and fruit. Nature provides abundance, irregularity and fantasy – qualities that feel particularly seductive in homes that are surrounded by screens, technology and otherwise frictionless design.

With that in mind, it becomes a little easier to understand the mindset behind modern Romanticism. Far from typified by a bit of brocade or generous drapery, it is a call to become emotionally connected with your home again; to feel the soft, inviting warmth of curved edges and luxurious fabrics and to enjoy the intimacy – platonic or otherwise – that it inspires.

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    Ottilia floral-print metallic woven cushion
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  • ASTIER DE VILLATTE
    Bush Clover ceramic plate
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    Impero set of two gold-plated painted porcelain teacups
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    Oriente Italiano Ming Iris porcelain vase
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